Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Monday, 8 June 2015

The Gift Wrapping Before Christmas

I want to tear me
into a thousand pieces
and wrap each piece with
a red red ribbon,
a gift of immortal affection
to many men, a piece of my body,
a rhapsody of flavor:
'orange with cinnamon',
'peaches and cream',
'blood orange dream'.

One gets an eye
but receives no sight, no
I would be lost in delight with him
and he would call me 'dear'
like the little animal that I am;
a tequila shot good enough
to be left to rot
once the flavor is gone.

One would have to have my chest,
however I might keep my breasts,
I'm quite fond of them myself.
This guy, he's a thing of hope,
he might disappear
as a clear streak of good will or luck
and oh, will I miss the fuck,
the peachy taste of it,
the beloved consistency.

Now He, the bloody orange Santa,
he will ask for it – a vein.
I know it since I know him well
enough to say he's a bloodthirsty
pagan, a demon king...
Yet he will bring
a brand new body with him
to replace the last one I had
but decided to start giving
like a really really bad girl.

Oh, and... you know, since
Christmas is coming.


Angie Siljanoska

Střešovice

I don’t care when it comes.
I’ll just sit down.
Most people would walk the ten steps.
 They would want to know the exact time.
But I’m too tired and
it’s up the hill.

There’s draught around my ankles
and a girl behind the glass.
She’s pretty.
If I met her though, I’d probably think her
hair looks a bit too messy.
When it finally arrives,
I shall see the reflection of it
on the lap of her black skirt.

But no! It only reflects those
that come from the other direction.
The ones I don’t want.

I’ll have to rely on my ears.
I know their voices quite well

Here they come – together.
Sunday trams.


Anna Krýsová

Wednesday, 22 April 2015

Prague Legend


1.                                                                                  
Blind as a bat
Milton smells his way to the
chicken shop, the one with
Fresh Meat
over the door,
to demand his usual
cut-off bits of scrag,
the voice that once
commanded cosmic phalanxes
shrunk to a beggar’s wheeze.
He throws a coin on the bar
and bags the bits
in a flimsy blue-and-white carrier.
Pink blood pools
in the polythene tit.
Then out into the cold whip of the wind
and hurtles headlong
down the broken tracks
of Vršovice
in minus four, an old grey shawl
tucked against his cavity of a chest.

2.
Alighting from the number 22,
she steps ashore in
calf-length boots,
eyes fixed on nothing,
thighs bruised from too much
sex. She shakes
her hair, but no breath
fans it out; no sunlight glosses it.
Oh No Not Now.
And when she trips,
no white-jacketed purser
steps smartly up - as once in Venice -
to retrieve her broken honour
from the floor.
And as she falls,
and as the dark descends,
above her sixteen rooms’
TVs flick off and on again.


Alex Went

Beads

It’s so much fun to string the little beads
Orange and yellow, green and blue and red
No limit to the possibilities
The ways they can be ordered on the thread
Chess, a game of tactics, must be played
Upon a board that’s eight small squares by eight
And yet, the different moves that can be made
Are nearly infinite, they are that great
The markers in a strand of DNA
The winds unscripted music on the chimes
Red and orange, yellow, green and gray
The sequence will be different every time
Infinite variations on a theme
Poems, snowflakes, human beings and dreams



Willie Watson

Fata Morgana

Patience, princess, patience
 - your voice sounds in my head -
postpone your thoughts and lust
to another place, another time
when I am more than shapeless dust
and you are wet sand
I can mould with my hands.

Jump, little junkie, jump,
addictive as you are
and sweet, so sweet I'm sticky all over,
jump to me, into my mouth
like a candy, I'll lick and suck more
until you are completely gone,
tears and sighs and all.

Nod, nameless girl, nod
your head in agreement.
I'll be your Sun and you my Moon
on the sky clouded by cigarette smoke,
humming an eastern tune.
Around your neck my hands have been
still while I fade you grow a queen.

Angie Siljanoska

Surf Casting

I wear personality like a rumpled linen shirt.
And, also, seersucker.
And, also, I sweat profusely.
And, also, I am almost forever impersonal.
And, also, I am a poisonous man.
And, also, antibiotics.
And, also, I should base longing in the image:
And, also, a dirt bike chained to a No Parking sign.
And, also, the small brown bird Junco native to Virginia.
And, also, imploding with song.
And, also, an empty swimming pool.
And, also, a teaspoon of blood.
And, also, infinite war.
And, also, breast implant bombs.
And, also, feigned epiphany.
And, also, for Prague.
And, also, alleys of foaming lilac Kampa.
And, also, chandelier St. Vitus.
And, also, brown snail Vyšehrad.
And, also, TV tower brainwash.
And, also, the circus work week we tumble like juggernauts.
And, also, no metaphor for.
And, also, staggering desolation of Sunday train stations.
And, also, the old foreboding.
And, also, clouds muzzle the city.
And, also, a skullcap of smoke.
And, also, coffee coffee.
And, also, occupy your pants.
And, also, the unspoken rivalry of friends.
And, also, the emotional uncertainty of men.
And, also, aardvarks.
And, also, death.
And, also, forever July.
And, also, fast fading.
And, also, words we hope testify to life.
And, also, silent failures.
And, also, this ink spilled everywhere.
And, also, of course, rain.
And, also, run out of town.
And, also, brown moths hatched in cabinet rice bags laying eggs in every warm  
        corner eating a hole through the shoulder of my hound’s tooth jacket
        devouring like words the page my uneasiness.
And, also, cruelty.
And, also, a seesaw catapult cracked my baby teeth.
And, also, salt peanuts.
And, also, Beech-Nut snus.
And, also, jumping jacks in your back pocket.
And, also, scars show you care.
And, also, I am scared.
And, also, underage somewhere.
And, also, change you can believe in isn’t.
And, also, Frankenstein alcohol.
And, also, discombobulating wind.
And, also, hatred weather.
And, also, an unfortunate tattoo.
And, also, copied on VHS.
And, also, minidisc.
And, also, a lesson here somewhere.
And, also, your vanity pulled down.
And, also, don’t quote me.
And, also, Derrida.
And, also, Deleuze.
And, also, unnecessarily citational.
And, also,[1]
And, also, vanishing breath.
And, also, mystery.
And, also, energy.
And, also, absolute freedom.
And, also, formal perfection.
And, also, chestnut trees wave green flower-monogrammed farewell
        handkerchiefs over the Jewish cemetery.
And, also, doubt about everything.
And, also, iodine.
And, also, non-committal.
And, also, switch-blade comb.
And, also, a pomaded pompadour.
And, also, the forced blindness of carriage horses.
And, also, silly putty marketing.
And, also, doo wop radio soprano.
And, also, write like a man fast as I can I’m gonna.
And, also, glue horseshoes.
And, also, pants the gypsy.
And, also, talent and the individual tradition.
And, also, gritty sobriety.
And, also, shot glass egg yoke.
And, also, new words for technology and terror our contributions to language.
And, also, if it hasn’t been done perhaps it’s not a good idea, the Nazi-hunting
        poet said over cigarettes in a powder blue linen summer suit dapper
        fantastic.
And, also, life is a crapshoot.
And, also, that’s disgusting.
And, also, when I meet my past I will pump him full of cracked iPads.
And, also, a broken belt-loop.
And, also, a $3,000 wig.
And, also, bloodshot irises in the window box watercolor air of May morning
        when I refuse to take pills for hypertension.
And, also, the afternoon I put a television in a phone booth.
And, also, staggering Saturday Blue State streets with a trumpet and a toilet
        seat.
And, also, losing the feel of people.
And, also, meek freedom.
And, also, watermelon elephant.
And, also, sorry, Tennessee.
And, also, the double four-pronged plug fishing lure my father hung in the
        shed remnants of a bluefish feeding frenzy in the ‘70s after he was in the     
        Guinness Book for longest free dive ascent under ice having dropped his
        faulty tank returning to the surface.
And, also, my parents were married in 1968.
And, also, a Ukrainian worker writhing in dirt fallen off fifth-floor scaffolding
        silently raining through trees.
And, also, a pewter locket.
And, also, only if.
And, also, sunset Petřín pulsating like the shaman-torn voodoo heart in
        Harrison Ford’s high-point performance.
And, also, deep green June humidity road to the library tunneled with vines
        sweaty denim.
And, also, these miraculous puddles of thought.
And, also, the temptation of farthest possibilities.
And, also, a race in the Vltava, small sailboats called Optimists.
And, also, words are sometimes like sails.
And, also, better yet nets.
And, also, surf casting from light into darkness.
And, also, waiting for something to strike.

Stephan Delbos



[1] footnotes.

Thursday, 15 May 2014

Pygmalion

Heifers with gilded horns no longer part before the axe,
in celebration of the rites of Venus; these days no
mythical obstruction dulls authentic pain, her hidden
                                                                               face.
Art always seemed to offer permanence surer than
the fading skin. But I am tired of scraping at a rock
to find the girl within. Here in my garden, beside a pine
                                                                                  tree
skirted by shadow, a youthful form burgeons in alabaster.
Caught in a state of grace, she grasps after the fluency
of air surrounding her entombed appeal. A straying
                                                                              breeze

whistles through her fluted curls. Beauty that cannot dance
or kiss. It scares me suddenly, to see my need transformed
into this lissom milk, compacted hard enough to grind the
                                                                                    seed
of dreams; holding my life between her glowing thighs.
Jakob Ziguras

Evening of the Reversed Pygmaion Effect

The Pygmalion effect, or Rosenthal effect, is the phenomenon whereby the greater the expectation placed upon people, the better they perform.

Before I went to the reading of the Australian poet with Polish roots Jakob Ziguras on the 28th of April (an event organized by the AAU and B O D Y), I read some of his work. Most of them I have enjoyed – though some were too philosophical for my taste. I looked forward to seeing the man behind the poems and needless to say, I had great expectations. I expected that I would like his poetry even more after meeting him and seeing him read – but this expectation failed.

I simply felt that the poems deserved a better presentation. The poet himself seemed kind and warm, but gradually I received the impression that he is distant. His persona was absent, he seemed to be unreachable – like a Grecian urn was for Keats. A question posed from the audience was if he could read something personal – he smiled and said that he could, but only after the second nudge from the audience did he do so. It was a poem about a vacation by the sea. Still, the poet seemed impersonal, aloof in his attitude and lacked enthusiasm and perhaps even emotion.

This I found was a great contrast to my expectation – he failed to excite me for his work and based on this conclusion and the fact that the Literary Theory exam is coming up, I am definitely taking the objective approach. The creator of the verses I choose not to connect with the creation itself as instead, I decided to read the poems (like “Pymalion”, included in this issue) in my mind, voiceless. In short, it was the evening of the reversed Pygmalion effect – when my expectations were not reached. I hope the next poetry reading attended will leave a more positive aftertaste than this one has. (Though the wine was good.) 


Anna Hupcejova

Cold Organs

I cross my fingers
on his lips
I put them
into his cold organs
where nothing lived
and never
will
unless we hastily
confront it.

I did him lover.
We enjoyed.

I cared no more
he wasn't better
I shared no more
he hardly did
we kissed apace
(who can forbid it).

No cherished memories,
no ruins
I ruined nothing
of them all
and nor did he
as I assume it
with no salute
no farewell.


Margo Kirlan

The Report of a Sonnet

How wonderful it is to see a brain, a voice and rhythm
Working together to bring out the melody:
Marťa luring the mind, Dan moving the feet – swing ‘em!
‘‘Tis pure music’ Hilly says, now to perfect the verbal malady.
Invoking the spirit of the poems, you could taste it in the air,
Timeless themes sung in a timely key: gospel, chanson, blues;
Emotional truth so striking, the tunes do bear,
Of love making worth the strife, or a sex-change operation – just choose.
In the ninth line Mr Hilský told us much oft’ happeneth,
Nobody there would doubt the soul of man:
And then hermelín, strawberries – music for the deaf!
Meeting brilliant people of the same turn, that’s how the rest ran.
      Absorbing Shaky’s genius through and through
      What is more important than me and you?

Even the bleak weather suggested some vile act of Englishness was about to go down. The celebration of William Shakespeare’s 450th birthday took place in the Kolowrat theatre and one could sense it in the humid air that “Culture” was the crunch of the evening (besides delicious Elizabethan-themed snacks, cheese and wine – especially that sweet lemon-ish candy, Bětka you know what I’m talking about).

Some Guy (the art director of the theatre who also starred in Macbeth) introduced the show which featured none other than a man of Shakespeare’s own spirit himself, Martin Hilský; next there was Daniel Dobiáš, a musical composer, who put Shakespeare’s sonnets to music, sang and played the piano. They were accompanied by two singers, Josef Guruncz and Jessica Boone, a flashy-eyed epitome of a delicate Lady who also starred in Macbeth, and with whom I had the infinite pleasure to converse. Each of the sonnets (76, 25, 18, 20, 30, 64, 50, 66 + 2 encores) was introduced (sometimes read in its entirety) by Mr Hilský in his notoriously deeply insightful and riveting fashion that we all know from his lectures. Then the musicians took over. English and Czech overlapped as the genres shifted rather often; Dan Dobiáš always struck the right key, most remarkably with Sonnet 50 put in Gospel – Mrs Boone (who later admitted she’d been particularly apprehensive about this piece) gave an astonishing performance hitting the high notes with heartfelt precision.

It was rather surprising to see, upon attaching myself to a tour through the theatre offices, so many different devices to relax: there was a serene ‘green room’, there were wire crowns from Macbeth crumpled into little balls which has been presented as a very therapeutic activity and if nothing worked, Guy Roberts sighed and pointing to the T.V. confessed there’s always Game of Thrones to numb the mind. And to further the note, one of the encores of the show featured the famous sonnet that mocks the angelic lady of Petrarch’s sonnets by inverting all the stock clichés about her ethereal golden-locked perfection. Mr Hilský winked a funny tooth as he advanced with a straight face some theories of academics who asserted that the lady’s reeking breath might have been caused by wine and garlic.            


Jaromír Lelek

Takuan's Cat

Takuan Sōhō ( 1573- 1645) was a rōshi (teacher) of the Rinzai sect of Buddhism. He was born just as the Warring States period of Japanese history was coming to a close, and wrote his major work “The Unfettered Mind” as a Zen treatise on the art of the Japanese sword. He is also credited with inventing the pickled daikon radish, now called Takuan in his honour.


Takuan's Cat

Image credit: Mariusz Szmerdt,  http://sumi-e.pl/  
To let the mind travel
from navel to eye
from object to subject
and back to a place
            where it has never been
 is a slippery one
The cat is silly
it moves to and fro
playing tag with its tail
But the benevolent force of history pulls taut the copper string
tighter and tighter, until the cat is dragged in
            screaming
and finally tied
its green helpless eyes darting side to side
silent,
            fully
                        immobilized
It hates the tight string
and all itself,
But then,
            then
             An event still to be explained
the string uncoils like a reel fertile with fish
and the cat lives again,
and gives thanks for its freedom
with each arbitrary unit of time that passes





An Answer to Takuan


Feline tracks in fresh-fallen snow
where lies the place to where
your stray cat returns?




Jim Stein